A Year for Pastel Poetry
A continuing battle of colors
allocated
across the Earth
better
pastel orange red rocks
seven
primary compositions
and
fifty shades of gray
hollow
stoned cities farmed electron tweets
echoes
of plastic green forests
written
on the streets
evolved
regurgitated lumpiness
breaking
non-Euclidean patterns
angstrom
geometries
gutters
of darkness
claimed
canyons of convergence
packing
accelerating motion
blurring
the sense of super-realism
where
untheism was a wall paint poster
meaningless
chords sup data
silence
on deaf ears, optics
instruments
interpreting signal’s
sounds
from air guitar conjunctions
inauguries
effortless packaged virtues
biting
down on common sense
barriers
to light and dark
colors
warm and red
dead
land-blink sifts
surging
flood of non-sense spin drift
primary
colors transitioning through time
wind
arisen from light
fading
away to rhyme
above
the clouds
beyond
troubles of dirt
where
waves of colors freak
pastel
poetry abounds
from
shadows’ work
like
bodies crashing from a Taosian bridge
littering
bits, pieces and shards of bones
flesh
mass freshly splattered
smashed
down below the fence
for
deputies to climb to
specimen
collecting bags
strange
dead things in the night
special
interest approaches to civil rights
picking
up the pieces
The why of procedures
policing
policy plays politics
skull
and crossbone antifahas
plantrixs
silver black hoods gather
burning
atheist crosses
golden
orange flames
not
really pastel, yet passably so
actors
write their scripts in motion
on
stage, through a door entry left
no-knock
worst searches without systems analysis
fool-
proofing methods
wit
the Euro communist party
on
American streets
bricks
and Molotov cocktails
cattle
cars to nowhere
red caboose fading to darkness
long ago before spring
and fall
hate motifs for capitalisms red
white and blue unreformed year
writing pastel poetry
the
cadaverous covid kavorkian terminality
drums
unsustainable all-go-rythms
clouds
of dopey haze
shots
through felon’s windows
no-knock
searches
warrant
drone battering rams in flight
captured
images of observers
through
windows
bed and bullet
dregs
of resistance
shagged
carpets of careful calculation
square
footage of business phenomenality
fast
flush evidence
sky
scrapers of barnacles
cling
to existence over an acid ocean
wild
rainbows of artificial intelligence
superficial
censorship a mile wide
and
a thought deep
the
Tongass forest old growth tree cut down
inchoiring
salmon management policy of extermination
slavery of technology
exerts
control of spirit and substance
being
and nothingness
emptied,
fishless Yukon River basin
recovers
millions with seven years moratorium
to
crash again slowly at ten percent
commercial
catch annually
clear
water, blue water, brown water, white foam, yellow sun, red moon
green
and orange shades disappearing
cheating
survival and swimmel rights
no
marches demanding special legal protection
for
golden-eyed spelunkers
anywhere
on the western front
where
writers satisfy with equal justice for all
quoting
one that said;
“Death
is the natural barrier preventing increase of infinite evil on Earth. If not
for death, humanity would evolve hell for-themselves. Given infinite time human
nature would evolve hell if it did not exist suitably manufactured for the
conduct of absolute evil.”
That
was an historic day
unlike
all others that were not part of history
a
day with rich full colors
and
odors strong enough to wake the dead
If
colors and death are equally meaningless
one
may construct meaning for oneself
or
find meaning with God
yet
if meaninglessness prompts a response
it
may be the choice between stupid and intelligent conduct-
so
one may ask oneself;
what
is the smarter choice
super-positioned
entanglement
symmetry
breaking
along
two dimensions
or
the reversal of time.
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